|
Falling Backwards
Falling Backwards is exactly the kind of bizarre love story
that I often admire in other people’s work, but usually am too
nervous to try myself. It is such an unusual book for me, first
because it jumps around a little in time, and second because the
people who inhabit the book are so very strange, yet not in the
manner of strangeness with which I am accustom.
In the early part of the book a couple bury the top tier of
their wedding cake, a man pees on a door during an argument,
and a family cares for
a pretend cat.
Later, a book launch is taken over by an orchestra, a teenage
girl makes a bedroom out of a corner of the kitchen, and
every piece of art in a house is covered in canvas.
The narrator in the book gives up most everything for a particularly
difficult man, who leaves her for a woman who only looks
like his late wife.
Outside of the context of Falling Backwards it would
be difficult to believe any of the above might occur but
inside the eerie wilderness of this novel, it all makes sense.
A bit
too much sense. I wrote Falling Backwards from an
upstairs room of a house we bought in a rush between babies.
We never
changed a thing in that house, not the three-dimensional
floral wallpaper, not the high-pile brown bathroom carpet
that lead
to a khaki coloured raised bath, not even the worn wood on
the lightpull. We were immersed in babies and books, a condition
that lasted years, and I wonder if some of the oddity of
Falling Backwards came from the occasional wanderings of
my imagination
as I envisioned the people who lived before us in this house
and wondered who they were.
I became interested in the idea of the past being a kind
of constant draw, like a weight you carry that can pull you
back
into itself unless you continue to exert effort against it.
I tried to imagine what would happen to a couple that could
not let go of a past event, or a past love. From this emerged
the idea of a person inadvertently being just that weight
which pulls others back to her.
The character Lea in Falling Backwards serves as catalyst
for James and Rebecca’s love affair and marriage but also is the reason why that same marriage is doomed.
|